Palazzo Grimani Museum Tickets

Palazzo Grimani Museum Tickets will take you to witness the magnificent reconstruction of the structure, which was finished in the 1960s of the sixteenth century, producing the spacious courtyard that can be seen from the Loggia dei Cesti. Only two wings made up the original medieval factory, which had features similar to a Venetian warehouse house. Its L-shaped layout was influenced by the angle formed by the intersection of the San Severo and Santa Maria Formosa streams.

Federico Zuccari, a young Roman artist, lavishly adorned the barrel vault of the staircase leading to the portego of the noble floor between 1563 and 1565 with allegorical murals that refer to his client's qualities and are complemented with grotesques and stucco reliefs of legendary creatures. From the Giovanni Grimani collection, the latter copies a few vintage cameos. Overall, the staircase could only match the Marciana Library and the Doge's Palace's Scala d'Oro in terms of beauty, which you can see using your Palazzo Grimani Museum Tickets.

In the sixteenth century, the enormous corner room that is a component of the building's oldest section underwent renovation. It is dominated by the magnificent fireplace, which is topped with coloured marble, as well as by sizable stucco decorations, including garlands of flowers and fruits, figures depicted in profile, and an incredible monster with a mouth that is open wide. Other ancient artifacts from the Grimani collection were stored on niches and shelves. Fragments of a fresco decoration that resembles the courtyard's colonnade may still be seen on the walls.

You can access the dressing rooms of Apollo, Callisto, and Psyche, with Palazzo Grimani Museum Tickets. Which are situated near the medieval workshop, were embellished between 1537 and 1540 by Renaissance and Mannerist painters. The conflict between Apollo and Marsyas described by Ovid in the Metamorphoses takes place in the barrel vault, in a design inspired by the ceiling of a Roman tomb. The roots and glory of the Grimani family are alluded to in an allegorical figuration of a Roman setting in the lunette on the back wall.

These three rooms were constructed during the building's last construction phase, which was completed in 1568. Antonio Grimani, to whom the space was dedicated and whose portrait bust, now disappeared, dominated in the center niche, is remembered and honored on a plaque over the fireplace in the chamber. To emphasize its significance, the walls and flooring are adorned with squares of marble in the manner of antiquity. The chapel's marble altar, which was taken down in the 19th century, was replaced with Deposition, a work credited to Titian's student Giovanni Contarini. The vestibule window provides a view of the spiral staircase, which was probably created by a Palladian architect.

The Dining Room's painted ceiling was embellished with fish and bird designs by Camillo Mantovano. St. John Baptizing the People is depicted in the ceiling's center by a painting from the seventeenth century that was inspired by Nicolas Poussin's work. Poussin, who was preserved at the Louvre, replaced the Giorgione-attributed painting of the Four Elements in a nineteenth-century handbook.

Due to the 1791 wedding of Giovanni Carlo Grimani and Virginia Chigi, a Roman princess, this apartment underwent renovations towards the close of the eighteenth century. Giovanni Faccioli, a painter from Verona, was in charge of creating the ceiling's pictorial ornamentation. You can see mural artwork with Palazzo Grimani Museum Tickets, a replica of the classic Roman fresco known as the Aldobrandini Wedding, used to illustrate the subject of the wedding.

Similar to Apollo's dressing room, the room devoted to Callisto and the metamorphosis of the metamorphosis refers to the well-known Ovid poem. The narrative is told in five panels of white stucco with a gold background, beginning with the first panel, which is located on the wall opposite the windows.In this essay, Giovanni da Udine displays his great skill in recreating animals, still lifes, and twelve cherubs that stand in for the twelve months of the year, along with four zodiac signs that represent the four seasons.

The Chamber of Psyche used to consist of this room and the one after it. In the 19th century, it was split into two distinct chambers. Five paintings depicting the tale of Cupid and Psyche by Apuleius were used to embellish the ceiling in the original design, which dates to the late sixteenth century. The octagonal oil painting on the wall is most likely a replica of a Francesco Salviati work that was completed in 1539.

With Museo di Palazzo Grimani Biglietti you can walk through the large passageway referred to as a portego in accordance with Venetian warehouse house custom. In actuality, the atmosphere is what brings to mind the building's medieval history the most. Parties, banquets, and musical theater performances were hosted in this space, which also housed the family's famous members' portraits in substantial stucco frames. The Grimani were significant benefactors of the arts. In the rooms of the itinerary, bronzes, paintings, tapestries, and furnishings are blended with antique pieces in an effort to recreate the ambiance of an aristocratic mansion from the sixteenth century.

This room's ceiling, which Camillo Mantovano painted in the first half of the sixteenth century, is covered in a stunning decoration that honors nature. It features a lush garden full of plants and flowers, a dense forest home to numerous animals, many of which have a predatory attitude and are full of symbolic meaning. Two family portraits of Antonio Grimani and Domenico and Marino Grimani are displayed on the walls. Additionally, there are priceless boxes in the area that once held collections of gems, coins, and cameos, of which the Grimani were ethustic collectors.

With Museo di Palazzo Grimani Biglietti you can witness the canvas, which included the to-do in the center of the ceiling and was modeled after the Pantheon, has lately returned to the Antitribuna to be displayed there in a priceless duplicate created by the Factum Foundation. The picture shows the conflict between Minerva and Neptune over the control of Attica. Giuseppe Porta created the original, which is presently on display at the Musée Jacquemart-André in Paris under the name Salviati. The Grimani Tribune, the home's most crucial location, and the genuine pivot point and final stop on the journey through the earlier rooms, may be reached from here.The skylight was topped with a lantern to ensure constant natural lighting. The wide range of architectural inspirations points to Giovanni Grimani's involvement in the design directly.

The walls of this room, which was already referred to as the Camaron d'Oro, or "Large Gold Room," in the sixteenth century, were covered with gold tapestries depicting scenes from the Bible. You can recognize the bust of Athena, the statue of Camillus, the head of Mercury (when assembled), and the sleeping Eros on the enormous sixteenth-century hardwood table with several priceless bronzes from the Giovanni Grimani collection. The plaster statue of the Laocoon group is a very uncommon cast from the eighteenth century of the well-known sculpture from the first century BC, which captured Cardinal Domenico Grimani's attention greatly. The set is preserved in the Vatican Museum after being discovered in Rome in 1506 at the Terme di Tito.